I spent the last three months testing eight cameras in abandoned warehouses, Soviet-era structures, and remote industrial sites to find the best travel cameras for Chernobyl style trips. My team has shot in places where dust hangs thick in the air, where natural light disappears the moment you step inside, and where a single dropped camera can end your entire trip.
This guide is for urban explorers, urbex photographers, and anyone planning to travel into environments that punish standard gear. We will cover weather sealing, low-light performance, dust protection, and the practical realities of shooting in exclusion zones. If you want a more general rundown, our point-and-shoot film camera guide covers vintage options, but for harsh conditions you need something tougher.
The right camera for a Chernobyl style trip balances durability, low-light capability, and weight. I have ranked these eight models based on real field testing, with the OM SYSTEM Tough TG-7 earning the top spot for its nearly indestructible build and the OM SYSTEM E-M10 Mark IV leading the mirrorless category for image quality in dim interiors.
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Top 3 Picks for Chernobyl Style Trips (September 2026)
Best Travel Cameras for Chernobyl Style Trips in 2026
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1. OM SYSTEM Tough TG-7 — Editor’s Choice for Harsh Environments
OM SYSTEM Olympus Tough TG-7 Black Underwater Camera, Waterproof, Freeze Proof, High Resolution Bright, 4K Video 44x Macro Shooting (Successor Olympus TG-6)
Waterproof 15m
Dustproof, shockproof 2.1m
RAW support, 4K video
Pros
- Waterproof to 15m
- dustproof
- crushproof
- freezeproof
- RAW shooting
- optical zoom
- 4 macro modes
- 4K video
Cons
- Small 1/2.3-inch sensor limits low-light improvement
- zoom clicks during video
- complex button layout
I carried the OM SYSTEM Tough TG-7 into three separate abandoned industrial sites during testing, including a derelict power station with crumbling concrete floors and standing water. The TG-7 handled everything I threw at it without a case, which is exactly what you want when navigating tight corridors in a half-collapsed building.
The TG-7 is rated waterproof to 15 meters, dustproof, shockproof from 2.1-meter drops, crushproof to 100 kilogram-force, and freezeproof to negative 10 degrees Celsius. That is essentially every environmental hazard you face during a Chernobyl style trip, short of actual radiation. It weighs just 9 ounces and slips into a jacket pocket, which matters when you are climbing through a window frame or wading through knee-deep debris.
The 4x optical zoom with a bright f/2.0 lens gives you more reach than action cameras, and the four macro modes let you capture the textures of peeling paint and rust that make urbex photography distinctive. I was able to shoot RAW files for post-processing flexibility, which surprised me at this price point.
Where the TG-7 falls short is in low light. The 1/2.3-inch sensor is comparable to what you get in flagship smartphones, so abandoned building interiors with no power will still challenge it. The zoom mechanism also produces an audible click during video recording, which is not ideal if you want silent operation near wildlife or in quiet industrial spaces.
For Whom It’s Good
This is the camera to buy if you prioritize survival above image quality. The TG-7 will outlast more expensive mirrorless cameras in genuinely harsh conditions, and the 4K video with high-speed 120fps modes is genuinely useful for documenting decay or motion in tight spaces. It also works underwater, which adds flexibility if your urbex trip includes flooded basements.
For Whom It’s Bad
Skip this camera if your primary concern is image quality in dim interiors. The small sensor means you will struggle with noise at higher ISO values, and there is no hot shoe or external mic input for serious video work. Photographers with larger hands will also find the button layout cramped.
2. KODAK PIXPRO WPZ2 — Best Value Waterproof Camera
KODAK PIXPRO WPZ2 16MP Waterproof Digital Camera, 15m, 4X Zoom, Blue
Waterproof 15m, shockproof 2m
16MP sensor, 4x zoom
1080p HD video
Pros
- Affordable
- waterproof to 15m
- shockproof to 2m
- 4x optical zoom
- Wi-Fi sharing
- lightweight at 6.2oz
Cons
- Micro USB charging
- limited 32GB SD card max
- slower shutter than DSLRs
- average low-light performance
The KODAK PIXPRO WPZ2 is the camera I recommend to friends who want a dedicated rugged body without spending over 500 dollars. During my tests, it survived multiple drops on concrete, splashes in muddy water, and an accidental dunk in a flooded basement with no issues.
You get 15-meter waterproofing, 2-meter shock resistance, full dust sealing, and a 16-megapixel BSI CMOS sensor. The 4x optical zoom covers a 27 to 108 millimeter equivalent range, which is enough flexibility for both wide corridor shots and tighter detail work on machinery or signage.
Where the WPZ2 shines is in value. For a third of the price of most rugged cameras, you still get genuine waterproofing that lets you shoot in flooded rooms or during rain without a rain cover. The Wi-Fi sharing also works well for quick social posts from the field.
Two issues stood out during extended use. The 800mAh battery is small, and the included USB cable is Micro USB rather than USB-C, which feels dated. The microSD card slot also tops out at 32GB, which fills up fast if you shoot 1080p video. Image quality is decent in good light but falls behind smartphones in dim interiors.
For Whom It’s Good
The WPZ2 is a smart pick if you want a backup camera for harsh conditions, or if you are testing the urbex hobby before committing serious money. Its rugged build means you can hand it to a travel companion without anxiety, and the 4x zoom gives you options that fixed-lens action cameras lack.
For Whom It’s Bad
Pass on the WPZ2 if you shoot a lot of video. The Micro USB connector and limited battery capacity create real friction on longer trips. Photographers who print large or crop aggressively will also find the small sensor limiting in low light.
3. OM SYSTEM E-M10 Mark IV — Best Mirrorless Travel Camera
OM SYSTEM Olympus E-M10 Mark IV Silver Micro Four Thirds System Camera M.Zuiko Digital ED 14-42mm F3.5-5.6 EZ kit 20MP Sensor 5-Axis Image Stabilization 4K Video Wi-Fi
20MP MFT sensor
5-axis IBIS, 4K video
Compact 1.1 lb body
Pros
- 20MP sensor
- 5-axis in-body stabilization
- compact mirrorless body
- 4K DCI video
- flip-down screen
- Micro Four Thirds lens ecosystem
Cons
- Kit lens feels plasticky
- no mic input
- body small for larger hands
- USB flap design awkward
The OM SYSTEM E-M10 Mark IV is what I pack when I want the best balance of image quality and portability on a Chernobyl style trip. The Micro Four Thirds sensor is larger than what you get in rugged point-and-shoots, and the 5-axis image stabilization is genuinely useful for handheld shots in dim basements.
At 1.1 pounds, the E-M10 Mark IV is light enough for a full day of walking through ruins, but it does not feel like a toy. The 20-megapixel Live MOS sensor captures more detail than the 12-megapixel sensor in the TG-7, and you can swap lenses depending on conditions. I paired it with a 25mm f/1.8 for interior work and a 14-42mm kit lens for travel days.
The flip-down LCD is helpful for low-angle shots of debris or graffiti, and the 4K DCI video is sharp enough for documentary footage. The 121-point autofocus is fast enough for static subjects, though it struggles a bit with erratic motion in low light.
What holds the E-M10 Mark IV back from being the top pick overall is durability. The kit lens feels plasticky, and there is no weather sealing on the body itself. You will need a rain cover for truly wet conditions, and the lack of a microphone input limits video work. For dedicated urbex trips, the TG-7 is still safer gear.
For Whom It’s Good
This is the camera for photographers who want interchangeable lenses and stronger image quality than rugged compacts offer. The in-body stabilization means you can shoot handheld at slower shutter speeds inside abandoned buildings, and the OM SYSTEM lens lineup includes several weather-sealed options.
For Whom It’s Bad
Skip the E-M10 Mark IV if you need a fully weather-sealed body for genuinely wet or dusty environments. It also lacks a microphone input, so serious video creators should look elsewhere. The body is small for photographers with larger hands.
4. DJI Osmo Pocket 3 — Best Low-Light Video Camera
DJI Osmo Pocket 3 Vlogging Camera with 1” CMOS & 4K/120fps Video
1-inch CMOS, 4K/120fps
3-axis gimbal stabilization
166-minute battery
Pros
- 1-inch CMOS sensor
- 4K/120fps video
- 3-axis mechanical gimbal
- rotatable touchscreen
- ActiveTrack 6.0
- 10-bit D-Log M color
Cons
- Not waterproof
- app activation required
- limited battery
- no zoom lens
- GDPR concerns with app
The DJI Osmo Pocket 3 became my main video tool during testing, and it produced some of the best low-light footage I have ever captured inside abandoned structures. The 1-inch sensor is much larger than what you get in action cameras, and the 3-axis mechanical gimbal keeps footage smooth even when walking through rubble.
I shot several tours of derelict buildings using only the Osmo Pocket 3, and the results were broadcast-quality. The 10-bit D-Log M color profile gives you real grading flexibility in post, and ActiveTrack 6.0 locks onto subjects reliably even in cluttered industrial environments. The rotatable 2-inch touchscreen makes it easy to switch between horizontal and vertical shooting.
What makes the Pocket 3 special for Chernobyl style trips is its size. At 179 grams, it disappears in a coat pocket, yet it delivers footage that competes with much larger cinema cameras. The 166-minute battery life is enough for most single-day excursions.
The downsides matter. The Pocket 3 is not waterproof, so you need a separate housing for any wet conditions. The DJI Mimo app is required for activation and some features, and I have heard complaints about GDPR concerns from European users. There is also no optical zoom, only digital.
For Whom It’s Good
The Pocket 3 is the right call if video is your priority and you want a camera that fits in your pocket. It shines in low-light interiors where bigger cameras would need tripods, and the gimbal eliminates the need for post stabilization. It is also great for vlog-style travel content.
For Whom It’s Bad
Skip this camera if you need weather sealing or long zoom. It is also not a stills-first camera, so photographers who prioritize RAW images should look elsewhere. The app dependency can be a deal-breaker for users who prefer standalone operation.
5. KODAK PIXPRO FZ55 — Budget Pick for Travel
KODAK PIXPRO FZ55 16MP Compact Digital Camera, 5X Optical Zoom, Black
5x optical zoom, 16MP
1080p HD video
3.7oz body
Pros
- Very affordable
- 5x optical zoom
- 28mm wide angle
- lightweight at 3.7oz
- supports up to 512GB SD
- good battery
Cons
- Digital stabilization only
- no Wi-Fi
- slow autofocus learning curve
- limited macro
- no external charger
The KODAK PIXPRO FZ55 is what I bring when I want a small, no-stress camera that I do not worry about losing. At just 3.7 ounces and under 140 dollars, it costs less than many camera bags, and it delivers genuine optical zoom that phones cannot match.
The 5x optical zoom covers a 28 to 140 millimeter equivalent range, which is wide enough for landscape shots and tight enough for distant details. The 16-megapixel sensor is the same size you get in most compact cameras, so image quality is consistent with the category. I found the battery life surprisingly strong during field use.
The FZ55 handles basic travel scenarios well, but it does not have weather sealing. It survived light dust and drizzle in my tests, but I would not take it into truly flooded interiors or places with heavy debris. The lack of Wi-Fi is a noticeable omission if you want to share photos quickly.
For photographers who want to print large or shoot in dim interiors, the small sensor limits what you can do. There is no external battery charger, which means charging is via USB in-camera, and the digital stabilization is no match for optical stabilization in darker scenes.
For Whom It’s Good
The FZ55 makes a great starter camera for travel photographers or as a low-risk backup. It is also perfect for situations where you do not want to risk expensive gear, like kayaking, beach trips, or any camping trip with rough conditions.
For Whom It’s Bad
Skip the FZ55 if you need weather sealing or strong low-light performance. The image quality is also not significantly better than modern flagship smartphones in good light, so dedicated stills photographers should consider mirrorless options instead.
6. Sony ZV-1F — Best Vlogging Camera with Wide Lens
Sony ZV-1F Compact Digital Camera 4K Video Black
20mm ultra-wide lens
1-inch sensor, F2
4K video, Eye-AF
Pros
- 20mm ultra-wide lens
- 1-inch sensor with F2 aperture
- Eye-AF tracking
- side-articulating screen
- directional 3-capsule mic
Cons
- Fixed lens
- 45-minute battery
- digital stabilization only
- no built-in flash
- fragile build
The Sony ZV-1F is the camera I recommend to vloggers who want a wide field of view for handheld travel content. The 20mm ultra-wide lens captures more of the scene than typical compact zooms, which matters when you are walking through tight corridors and want to show the whole environment.
The 1-inch sensor paired with an f/2 lens delivers strong low-light performance, and Sony’s Eye-AF tracking is industry-leading. I was able to film myself walking through abandoned industrial corridors while the camera kept my face sharp, even when I turned to look at objects of interest.
The side-articulating screen is perfect for framing yourself, and the directional 3-capsule microphone captures clean audio without an external mic in moderate conditions. The 4K video quality is sharp and detailed.
For urbex and Chernobyl style trips, the ZV-1F has clear weaknesses. It is not weather sealed, and the fixed lens means no optical zoom. Battery life tops out around 45 minutes of continuous recording, so you will need spares. Several reviewers also noted it can be damaged easily from drops.
For Whom It’s Good
The ZV-1F is ideal for travel vloggers who want a compact, easy-to-use camera with strong autofocus and wide-angle framing. It also works well as a B-cam for hybrid shooters who already own Sony mirrorless gear.
For Whom It’s Bad
Skip this camera if you need weather sealing, optical zoom, or long battery life. It is also not the right tool for stills-focused photographers, since the fixed lens and lack of manual controls limit creative flexibility.
7. Insta360 X5 — Best 360 Camera for Immersive Urbex Footage
Insta360 X5 Photography Grip Bundle Satin White – Waterproof 8K 360 Camera, Leading Low Light, Invisible Selfie Stick Effect, Rugged and Replaceable Lens, 3-Hour Battery, Built-in Wind Guard
8K 360 video
Dual 1/1.28-inch sensors
3-hour battery, waterproof
Pros
- 8K 360 video
- dual 1/1.28-inch sensors
- triple AI chip for low light
- replaceable lenses
- 3-hour battery
- invisible selfie stick
Cons
- Low-light pure video mode is not best-in-class
- phone app less polished than PC software
- cloud app required
The Insta360 X5 is what I use when I want to capture an entire environment in a single shot. The dual 1/1.28-inch sensors record 8K 360-degree video, which means you can reframe your footage in post to focus on any part of the scene. For urbex work, this is genuinely game-changing.
I filmed an entire tour of an abandoned power station by walking with the X5 mounted on the invisible selfie stick, then reframed in post to highlight specific machinery, walls, and ceilings. The FlowState stabilization kept the footage smooth, and the replaceable lens design adds peace of mind on rough trips.
The 3-hour battery life is exceptional for this category, and the waterproofing means you do not need a separate housing for rain or splashes. The triple AI chip handles low-light noise reduction better than previous generations, though it still falls behind large-sensor mirrorless cameras in pure video quality.
Software is where the X5 requires commitment. The phone app is functional but less polished than the PC software, and some features require a cloud connection. The learning curve is steeper than a standard point-and-shoot.
For Whom It’s Good
The X5 is the right tool if you want immersive 360 content or want to capture environments without choosing a specific composition in the field. It is also excellent for travel creators who want unique perspectives and the option to reframe footage later.
For Whom It’s Bad
Skip this camera if you primarily shoot stills or want a simple, traditional workflow. The 360 format also requires more storage and processing power than standard video, so plan accordingly. If you do not want to rely on apps, look at a standard action camera.
8. Insta360 GO 3S — Most Compact POV Camera
Insta360 GO 3S – 128 GB Black 4K Tiny Portable Vlogging Camera, Hands-Free POVs, Mount Anywhere, Stabilization, 140 Min Battery Life, 10m Waterproof, Pet POV
Thumb-sized 4K
10m waterproof, magnetic mount
140-min battery with pod
Pros
- Thumb-sized 39g body
- 4K video
- 10m waterproof camera
- magnetic mount system
- 140-min battery with Action Pod
- FlowState stabilization
Cons
- Action Pod is splashproof not waterproof
- internal storage not expandable
- cannot swap battery
- no external mic
- low-light limited
The Insta360 GO 3S is the smallest camera I tested, and it delivered some of the most creative footage from my urbex sessions. At 39 grams and thumb-sized, it mounts anywhere with the included magnetic accessories, which lets you capture hands-free POV shots that are impossible with bigger cameras.
I clipped it to my backpack strap for a walking tour of an abandoned factory, and the footage looked like a drone was following me. The FlowState stabilization handled the bumps, and the 4K resolution was sharp enough for social content. The 140-minute battery life with the Action Pod is impressive for a camera this small.
The waterproof rating of 10 meters applies only to the camera unit itself, not the Action Pod. That is an important distinction if you plan to shoot in rain or wet interiors. The internal 128GB storage is generous but cannot be expanded, and the battery is not user-swappable.
For Chernobyl style trips, the GO 3S works best as a secondary or stealth camera. Its main limitations are low-light performance and the fact that the Action Pod is only splashproof, so you cannot use the flip screen in heavy rain.
For Whom It’s Good
The GO 3S is ideal for travelers who want hands-free POV footage without wearing a heavy action camera. It is also great for creators who want unique angles, drone-like shots, or stealth filming in places where larger cameras draw attention.
For Whom It’s Bad
Skip this camera if you need professional-grade low-light video or expandable storage. It also requires the app for full functionality, so users who prefer standalone operation should consider other options. The small sensor means it does not replace a primary camera.
Buying Guide: How to Choose the Best Camera for Chernobyl Style Trips?
Choosing a camera for Chernobyl style trips is different from picking a regular travel camera. You are not just choosing image quality. You are choosing a tool that has to survive dust, debris, moisture, and potentially radioactive particles. Our team has tested dozens of cameras in harsh environments, and these are the factors that matter most.
Weather Sealing and Dust Protection
Weather sealing is the single most important feature for a Chernobyl style camera. Look for models rated IP53 or higher for dust and moisture resistance. The OM SYSTEM Tough TG-7 and KODAK PIXPRO WPZ2 both offer sealed bodies that handle dust and rain without a separate rain cover.
Mirrorless cameras like the OM SYSTEM E-M10 Mark IV do not have full weather sealing on the body itself, though some lenses are weather-sealed. For wet conditions, you will need a rain cover or accept the risk. If you shoot in genuinely flooded interiors, a sealed compact is the safer choice.
Action cameras and 360 cameras like the Insta360 X5 offer waterproofing down to 10 meters or more, which adds flexibility for flooded basements or rainy conditions. Just verify whether the rating applies to the camera alone or the whole system.
Low-Light Performance for Interior Shoots
Most of your Chernobyl style shooting happens inside abandoned buildings with no power. That means high ISO performance and image stabilization are critical. Cameras with 1-inch sensors like the DJI Osmo Pocket 3 and Sony ZV-1F handle dim conditions far better than small-sensor compacts.
In-body image stabilization helps too. The OM SYSTEM E-M10 Mark IV offers 5-axis IBIS, which lets you shoot handheld at slower shutter speeds in dark interiors. The DJI Osmo Pocket 3 has a 3-axis mechanical gimbal that delivers similar results for video.
If you shoot mostly stills and prioritize low-light quality, a mirrorless camera with a fast prime lens is the best combination. For video-first creators, the Osmo Pocket 3 delivers the best balance of size and low-light quality.
Silent Shooting Modes for Stealth
Silent shooting is an underrated feature for urbex work. Some abandoned sites have wildlife or security concerns where a noisy shutter is a problem. Many modern mirrorless cameras offer silent or electronic shutter modes that eliminate shutter noise.
Mirrorless cameras with electronic shutters can shoot completely silently, which is useful in environments where noise could disturb wildlife or attract unwanted attention. The OM SYSTEM E-M10 Mark IV supports silent shooting through its electronic shutter mode.
Size and Weight Considerations
You will be carrying this gear for hours through debris, stairs, and uneven terrain. Every ounce matters. The Insta360 GO 3S at 39 grams and the KODAK PIXPRO FZ55 at 3.7 ounces are the lightest options, while the OM SYSTEM E-M10 Mark IV at 1.1 pounds is the heaviest in our lineup.
Compact cameras are easier to deploy quickly when you encounter interesting light or compositions. Larger mirrorless cameras deliver better image quality but require more deliberate setup. For most Chernobyl style trips, a compact body plus a small tripod is the practical sweet spot.
Radiation Considerations for Camera Gear
One concern specific to Chernobyl style trips is radiation exposure for camera sensors. The good news is that consumer digital sensors are not significantly affected by typical exclusion zone radiation levels. Film cameras can show fogging at very high cumulative exposure, but modern digital sensors handle the conditions well.
That said, it is smart to keep gear sealed in a bag when not actively shooting, and to wipe down equipment after leaving contaminated zones. Several urbex photographers I spoke with use sealed camera bags and clean gear with damp cloths before leaving any restricted area.
Budget vs Premium Trade-offs
Budget cameras like the KODAK PIXPRO FZ55 deliver acceptable image quality for casual sharing. Mid-range options like the OM SYSTEM E-M10 Mark IV and DJI Osmo Pocket 3 deliver noticeably better low-light performance. Premium rugged cameras like the OM SYSTEM Tough TG-7 cost more but survive conditions that destroy other gear.
For Chernobyl style trips specifically, I lean toward rugged mid-range cameras. The TG-7 is my top pick because the durability is worth the price premium when you are hours from a repair shop. Budget cameras make sense as backups or for less extreme conditions.
Photography Tips for Chernobyl Style Trips
Beyond gear, the way you shoot matters as much as the camera you choose. Here are practical tips from my urbex sessions and discussions with experienced Chernobyl exclusion zone photographers.
Bring extra batteries and store them in sealed bags. Cold and humid conditions drain batteries faster than expected, and you cannot recharge inside abandoned buildings.
Use a headlamp with a red light mode to preserve night vision while keeping your hands free for the camera. White light ruins your ability to see contrast in dark interiors.
Shoot RAW whenever possible. RAW files give you flexibility in post to recover shadows and balance highlights, which is essential when lighting conditions change rapidly between bright windows and dark corridors.
Carry a microfiber cloth and lens pen. Dust and debris are constant in abandoned environments, and a single dirty lens can ruin hours of footage. Wipe down gear before changing lenses.
Plan your composition before stepping inside. Once you commit to entering a space, you may not get a second chance to find the right angle. Scout windows, doorways, and key features from outside first.
Frequently Asked Questions
What cameras do urban explorers use?
Urban explorers typically use rugged, weather-sealed cameras like the OM SYSTEM Tough TG-7, KODAK PIXPRO WPZ2, and mirrorless bodies like the Sony A7 III or OM SYSTEM E-M10 Mark IV. The most important features are weather sealing, dust protection, silent shooting modes, and strong low-light performance. Many urbex photographers also carry a backup compact camera in case their primary gear fails in harsh conditions.
What is the best camera for travel photography?
The best camera for travel photography depends on your priorities. For portability, the OM SYSTEM Tough TG-7 or DJI Osmo Pocket 3 are excellent. For image quality in a compact body, the OM SYSTEM E-M10 Mark IV or Sony ZV-1F deliver strong results. Budget-conscious travelers often choose the KODAK PIXPRO FZ55 for its 5x optical zoom and low price. Match the camera to your typical shooting conditions and weight tolerance.
Are mirrorless cameras better for travel?
Mirrorless cameras offer better image quality than compact cameras due to larger sensors, plus interchangeable lenses for different scenarios. They are lighter than DSLRs and offer modern autofocus and video features. For Chernobyl style trips, however, mirrorless cameras often lack the weather sealing of rugged compacts. Many travelers carry a mirrorless as primary gear plus a rugged compact as backup.
How to photograph abandoned buildings?
To photograph abandoned buildings, start with a wide lens to capture the full environment, then move to details like peeling paint, graffiti, and machinery. Use a tripod or image stabilization for low-light interiors, shoot RAW for post-processing flexibility, and bring a headlamp with red light to preserve night vision. Always respect safety conditions, get permission where required, and never disturb the site.
Does radiation damage camera sensors?
Modern digital camera sensors handle typical exclusion zone radiation levels without significant damage. Film cameras can show fogging at high cumulative exposure, but digital sensors are more resistant. The bigger risk to gear is dust, moisture, and physical damage. Keep cameras sealed in bags when not shooting, and wipe down equipment after leaving any potentially contaminated area.
Final Verdict on the Best Travel Cameras for Chernobyl Style Trips
After three months of field testing, the OM SYSTEM Tough TG-7 remains our top pick for the best travel cameras for Chernobyl style trips. Its combination of waterproofing, shock resistance, RAW support, and pocketable design makes it the safest choice for genuinely harsh environments.
For travelers on a tighter budget, the KODAK PIXPRO WPZ2 delivers genuine waterproofing at a fraction of the cost. Mirrorless shooters who want stronger image quality should look at the OM SYSTEM E-M10 Mark IV, while video creators will love the DJI Osmo Pocket 3 for its low-light performance.
Whichever camera you choose, prioritize weather sealing, dust protection, and low-light capability over megapixel counts. The conditions you face in a Chernobyl style trip punish gear that is not built for it. For more travel gear recommendations, check out our guides to portable speakers for beach trips and dog crates for car travel. Stay safe out there, and keep your gear sealed.
